When someone asks me which tarot deck to start with, I usually recommend Rider–Waite, or a deck based closely on its artwork. But that recommendation comes with one important thought: if another deck really calls to you, don’t ignore it.
There’s a practical reason for starting with Rider–Waite imagery. Many tarot books and learning guides use it as their reference point. Having those familiar pictures in front of you can make it easier to connect what you’re reading with the cards in your hands.
The figures, scenes and symbols give you details to notice and explore alongside your guidebook. While you’re getting to know the cards, it can help not to be working with a completely different artistic interpretation at the same time.
If you prefer learning by watching, I recommend this tarot breakdown on YouTube. It’s a good breakdown to explore alongside your cards. Take your time and learn at your own pace.
A deck based on Rider–Waite artwork doesn’t have to be identical to the original. You might prefer a different colour palette or a fresh illustration style. Choosing one that keeps the recognisable imagery can offer a useful foundation while still feeling like your own choice.
But practical advice is only part of the story.
You might find a deck whose artwork stops you in your tracks. Perhaps it reflects an interest you love, has an atmosphere you’re drawn to, or simply feels right when you look through it. That connection deserves a place in your decision too.
I’ve recently acquired a Buffy the Vampire Slayer tarot deck, which I absolutely love. It’s a lovely reminder that exploring tarot can also be about enjoying the artwork and finding something that connects with your own interests.
If you choose a deck that takes a different approach to the imagery, its accompanying guidebook can be a useful starting point. Give yourself time to get to know that particular deck rather than expecting every illustration to match another book exactly.
So my advice is this: start with Rider–Waite or a deck based on its imagery if you’d like a familiar foundation for learning. But don’t treat that as a rule that keeps you from choosing something you love.
You don’t have to wait until you’re more experienced to enjoy artwork that speaks to you.
As I always say, if something resonates with you, grab it with both hands.